Private is political, the (once) radically feminist thought of Carol Hanisch in Mot/Her KC is embodied through the personal narrative of Anna Wańtuch, who weaves an intimate story directly to the camera. The story in Mot/Her KC is a reality on the border, open, seeking recognition in social contexts. The intimate video arts of the FA Collective weave this space on the border of meanings such as pregnancy, femininity, feminism, choice, society, (pro/no) family politics, and social expectations towards women. 

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The Mot/Her KC project started in 2017 and consists of a series of 29 films. It's a documentation of personal and individual events, not without the influence of a specific socio-cultural environment. FA Collective presents a journey into the depths of the discourse on the fluidity of the female body, mind and questions about the boundaries of one's own identity in a social and political context in which the performance took place. (Anna Petelenz, AP Kunstart)

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Work shown at: (2021) Parallel Vienna room Schumann 02, (2020) Cracow Art Week KRAKERS, (2018) WomenCinemakers Biennale, POSITIONING Malta, Women behind Screendance Landscapes, (2017) Competition 1 page 1 look 180 seconds 3rd prize, Festival In Out.

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More videos of Mot/her KC to watch - link

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